Saturday, February 1, 2014
Do We REALLY Need This?
I am not a Luddite. While slow to buy into new technologies, I selectively embrace them, much like the popular girl in school who will take the arm of the quarterback, but not the tight end. I was not the first on my block to have a Kindle or an iPod, but I was also spared the embarrassment and the expense of Betamax and a Quad system. There is a new device, however, upon which Sweet Joseph is going to have to take an immediate and irrevocable pass. This would be something called a “wearable book.”
When I first saw the headline for this I thought that perhaps it was a sort of hands-free device that would enable one to read while stirring a casserole or hefting weights from Point A to B without having to turn a page. Yes, I know, those are called “audiobooks,” but I thought that perhaps this was something different, a device that somehow sensed when your eyes had reached the end of a page and turned or scrolled it for you. No; the wearable book, which results in something called “sensory fiction,” is a vest-like contraption coupled with a specially designed reading device which is designed to physically communicate the emotions of the characters in a novel to the reader as the book is read. My understanding of how this works is that if, say, Jack Reacher is trying to defuse a bomb as its digital clock clicks toward zero, the reader will experience a tingling in the appropriate place which will approximate the feeling Reacher gets as eternity nears.
I’m not making this up. It’s been developed at MIT and if you would like to read all about it in the UK Telegraph you can check out the article here. The folks who worked on this seem to be very sincere; the first story treated to this new technology is “The Girl Who Was Plugged In” by James Tiptree, Jr., a classic science-fiction short story which even people who think that they hate the genre might well enjoy. If they met their threshold definition of success for this device, well, I’m happy for them. My problem with this device --- and correct me if I’m wrong --- is that it is our job as authors to make the readers hearts and minds go pitter-patter without the aid of an artificial device. Stephen King needed nothing more than the page and the printed word to make my hairs stand on end, repeatedly, in THE SHINING. More recently --- much more recently --- I have been reading a book due to be published next week titled THE GIRL WITH A CLOCK FOR A HEART by Peter Swanson that has had my brain engaged since the first paragraph. I have been screaming --- inwardly and occasionally out loud --- since the first page, and not just because I identify with the poor fool who against all logic becomes involved with his college sweetheart, who is not a good person, no not at all. Swanson did that, not a vest.
Please check out the link above, and tell me: are you intrigued? Or isn’t all fiction sensory already, if it’s done right? Isn’t that why we read?