Wednesday, March 24, 2010

Dead End

By Joe Moore

If you’re a regular here, you know that I love to talk about the mechanics of writing. I particularly like to discuss the basics—Writing 101. The biggest reason is that’s where most new writers stumble and fall. It’s why so many manuscripts fail to get published or even get considered for publication. And a lack of appreciation for the basics is a huge source of frustration later on when things aren’t clicking. There are no magic beans or silver bullets in the basics. And despite some urban legends, you won’t be initiated into a secret society of published authors with a special secret handshake. The basics are just that: basic concepts on which to build your story without letting anything block the flow of your creativity.

In previous posts, we’ve discussed how and where to start your story and what to do to keep it going strong during the middle where some stories sag like a piece of pulled taffy. Today, let’s talk about endings.

endIt’s obvious that a strong ending is as important as a strong beginning. Your reader should never finish your book with a feeling that something was left hanging or unanswered that should have been completed. It doesn’t matter if the ending is expected or unpredictable, it shouldn’t leave the reader with unanswered questions. You don’t want a dead ending.

Oftentimes, beginning writers don’t successfully bring all the elements of a story together in a satisfying ending. There’s no real feeling of accomplishment at the end. The reader has taken part in a journey, and he should feel that he has arrived at a fulfilling destination. This is not to say that every conflict should be resolved. Sometimes an open-ended conflict can cause the reader to ponder a deeper concept, perhaps an internal one. Or a more obvious reason to have an unresolved conflict is to suggest a sequel or series. But something has to occur that will give the reader the feeling of satisfaction that the journey was worth the investment of his valuable time.

There are a number of methods you can use to make sure your ending is not a dead end. Consider ending with a moment of insight. Your character has gone through an internal metamorphosis that causes her to learn an important life-lesson. Her growth throughout the story leads up to this emotional insight that makes her a better or at least changed individual.

Another technique is to set a series of goals for your main character to work toward and, in the end, they are achieved. Naturally, the harder the goals, the more satisfying the ending will be for the character and the reader.

The opposite of this technique is to have the protagonist fail to overcome the main obstacle or goal in the story. The ending may not be a happy one for the character, but he can still experience an insight that is fulfilling for the reader. An example of this would be a character who truly believes that riches bring happiness only to find that true fulfillment comes with the loss of material wealth. In the end, the goals of becoming rich are never met, but he is a better person for it.

You can end your story with irony. This usually occurs when the character sets out to accomplish a goal and expects a certain result only to find in the end the result is exactly the opposite. A con artist tries to pull off a big scam only to be conned and scammed by the victim. There’s an old saying that the easiest sell in the world is to a salesman. Watch THE STING.

How about a surprise ending? There’s probably never been a bigger surprise ending than the movie THE SIXTH SENSE. A kid keeps telling a guy that he can “see dead people”. Well guess what? He sees the guy because the guy is dead. There were audible gasps in the theater at the ending of that one.

As you decide on an ending and begin to write it, think of the summation an attorney makes right before the jury goes into deliberation. The final verdict will be whether the reader loves or hates your book. Or worse, feels nothing. Present a convincing argument, review all your evidence, and walk away knowing you’ve done all you can to get the verdict you want.

Can you think of other types of endings? What are your favorite endings? Which ones caught you by surprise? Are there any books that caused you to change your viewpoints or outlook on life?

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12 comments:

Mark Terry said...

Oh damn. You mean these magic beans I bought aren't really magic??????

Anyway, Mickey Spillane was famous for saying the first page sold the book and the last page sold the next. Keep THAT in mind when you write THE END.

James Scott Bell said...

Beginnings are easy. Endings are hard.

Brood a lot about them. I've rewritten my ending scenes 20, 30 times. A few complete overhauls, but then a lot of fine tuning.

kathy d. said...

aha....evidence that readers shouldn't be left with "questions unanswered"!! so how about throwing a bone on the "i will" ending of ty and sr. mv, james scott bell kathy d.

James Scott Bell said...

Ha, kathy d....send same request to Margaret Mitchell!

martha ramirez said...

This was a great post, Joe! We hear a lot about beginnings but notso much about ends. Thanks for sharing!

Joe Moore said...

No magic beans, Mark. But I lied about the secret handshake. Write your mailing address on the back of a $50 bill, send it to me, and I’ll send you the instructions. :-) And the Spillane advice is dead-on right.

Brooding is good, Jim. I’ll add that it helps to actually know the basic ending before you start.

Thanks for dropping by, Martha. Glad you enjoyed the post. Now get out there and end something!

signlady217 said...

Hate, hate, hate the ending of "Gone With the Wind"! Thankfully, the woman who wrote the sequel did a good job with it, IMO.

Kathryn Lilley said...

I loved the ending of The Great Gatsby, even though at the time I found it hopelessly tragic. Recently I read that Gatsby had made the list of "worst novels of all time" by some literary experts, so what do I know?

Hard Boiled Mysti said...

Hi Joe!

I'm working backwards from the ending for the first time on my WIP. It definitely helps me stay focused, though I'm worried things will be too obvious. But I'd worry about that anyway.

I think of endings thus: the beginning of the book asks a question (or, sometimes, a couple of questions). Mystic River asks a "textual" question, "can the two detectives solve the mystery of their friend's daughter's murder?" But there's also a deeper, and of course related question, "can the three men recover from that hideous event in their childhood," and for each of them the answer is different. But the story isn't over until the answers are revealed. In one case, it's not an answer we like as readers, but we understand its inevitability because of all that has come before.

The best endings, whether satisfying, ambiguous, or in between, are answers to the initial question(s) that are both inevitable and surprising. Frikkin' hard to do, IMHO ;)

thanks for a thoughtful post!!!!!

kathy d. said...

actually, i have to concede a point to jsb in regards to margaret mitchell....i think she did recognize the way to wrap up gwtw...i can't imagine any other. and the sequel should have never been written...falls into the category of "don't tug on superman's cape......spit into the wind...or mess with a classic".....kathy d.

Joe Moore said...

HBM, thanks for stopping by. I guess if it were easy, everyone would be doing it, although sometimes it seems they are.

Basil Sands said...

That's something I am working on, endings. My first three novels all had a similar ending. None identical, but all similar. This time I am making a conscious effort to not let it end in anything like the same way. The others were not bad, mind you but I realize I am in a rut while even as I say it I realize that from the outset I envisioned this ending once again in s similar situation as the others. Sigh... oh brain of mine, vanquish thine rutifications and burst forth upon new and exciting endings of dissimilitude and glory!